September 10, 2016 Leave a comment
The first time we see Gloria (Anne Hathaway) she’s apologizing to her boyfriend Tim (Dan Stevens) for staying out all night. It’s clear she’s a bit of a mess as she stumbles into the apartment and tries to balance herself against the wall. Tim complains that he only ever gets to see her when she’s hungover. I can only guess that Tim isn’t much for parties, otherwise they might be able to be hungover together. Alas, this is one alcoholic binge too many and Gloria is sent packing – back to her hometown to ostensibly “find herself.”
What she finds is an old friend (Jason Sudeikis) and a limitless supply of booze – he’s the owner of the town’s bar. The stage is set for a alcohol-soaked romance between the two with some challenges and life lessons along the way, until that romantic comedy premise is derailed when a gigantic Godzilla-like monster attacks Seoul. Oops. Let’s just say the monster attacks are connected to Gloria’s homecoming and overshadows the film’s earlier “will-they or won’t they” story line.
Colossal is an unpredictable film. It’s a buffet of different genres – the aforementioned romantic comedy, an addiction drama, tones of a 90s-esque thriller, sci-fi monster movie and a shaggy dog hang-out picture. It may sound like the tone of the film is all over the place, but the central concept – as absurd as it may be – grounds the plot so that all the developments feel organic, if unexpected. It’s an entertaining ride throughout.
But it’s not perfect. The characters are drawn a little thinly, and it would have helped to flesh them out a bit more. It’s not entirely clear what Gloria’s past relationship with Sudeikis was – they were friends, but good friends? Were they only close in elementary before drifting apart in high school and losing touch after? Did they have a “thing” together? It’s all rather hazy, which may be reflective of Gloria’s perception of life (she often doesn’t remember conversations she’s had the night before, or the people she was with). However, some of the climatic moments of the film require understanding who these characters are and why they’re damaged. Lacking defined characters ends up limiting the impact of the twists that come later – and the motivation behind them.
I guarantee Colossal is something that you’ve never seen before. Where else will you hold your breath watching two drunk adults fighting in a schoolyard playground and hope that the people of Seoul will be okay?
Sidenote: With gender-swapped remakes all the rage right now, I wouldn’t mind seeing Single White Female remade with Jason Sudeikis in the Jennifer Jason Leigh role.